Vettah Malayalam Movie Review

vettah-movie-official-teaser-releasedI was just browsing online this weekend when I realized ‘Vettah’ is playing in the nearby cineplex. When I saw the poster, I recollected it was Rajesh Pillai’s last movie. Six years ago, when I was in Kerala, I remember watching ‘Traffic’ (review here) and how it was the game changer in the Malayalam movie industry, allowing the new genre ‘new generation cinema’ to be stamped on all the future experiments. The number of movies releasing in a year, the numerous unidentifiable debutants in the industry, there was a notable wholescale change to approaching movies. Movies with teams averaging in the mid 20s were becoming a set pattern as actor oriented movies started disappearing from the face of Kerala.

I did not watch the trailer of this movie, nor did I know who were the lead in this till I went to the theater. But there was a sense of anticipation, a prejudice that I will leave the theater as glad I was after watching Traffic.


Six children in a family group of 14 shared the row with me. As the movie started unwinding, there were specks of extra marital affairs scattered with no moment of laughter, song shots at all in the first half. There was a plot, a good one, slowly unwinding as it kept the audience captivated throughout. The kids were not jumping around or fussy, all serious. The starring line up commands attention as the resurrected Manju Warrier looked elegant and professional as an IPS officer. Kunchacko Boban and Indrajit Sukumaran play equally key roles in the movie and it is definitely a treat. Vijayaraghavan is an actor I really like and I hope he gets the recognition he deserves, when he does decide to call it quits.


Shaan did the background score and music direction. I am a huge fan of his; he creates music which always has a Godly essence to it and I went crazy listening to Rinu Razak delivering his songs in Om Shanti Oshana. And this time around, he gives her another peach of a song, which is simple yet got a transcending effect in the context of the storyline.

The first malayalam movie to watch in Kuwait after coming here, maybe not for the kids, but definitely watch it for Rajesh Pillai. I will miss his storytelling. May your soul rest in peace bro.

How to drive safe in Kerala


For those who were ‘unfortunate’ enough to learn road rules being in some other country might find it very difficult to come to terms with what is considered civilized driving in this part of the world.  Having been on the road with four wheelers for over ten years, here are some insights on how to drive in God’s own country. (Disclaimer: Almost all of the below mentioned techniques are illegal and against road rules, however if you don’t trod the road the masses are taking, you are in for a bumpy ride)


  • Lane driving – lane is where the driver chooses it to be. If he envisages a lane  where his vehicle runs right through the middle of the dividing line, then please cooperate and squeeze through either side if you want to move ahead. This sort of lane driving provides you added advantage of swapping lanes at your own ease without bothering to turn on indicators as nobody behind is sure what your next move is.
  • Lane driving – there is no fast lane and slow lane. The lane to your left is where bicycles, pedestrians, hawkers, two wheelers drive. Lane to the right is where vehicles with more than four wheels consistently ply at 60km/hr. All other vehicles are permitted to take part in a slow and furious gear shift/honking sequence to find their way across.
  • Two wheelers feel it is not only safe to hug left side of the road but also the right lane divider just so that every vehicle can ply through the center of the road with so much space.
  • Arrival of an ambulance into a thickly populated road invites basic courtesy by the vehicles ahead of the ambulance initially followed by a sequence only seen in this part of the world. The ‘new lane’ created by the roaring ambulance is accompanied by vehicles finding the moment opportune to skip large volumes of traffic. So next time you find an ambulance you know what to do.
  • Apart from the designated function of car indicators – left/right turns and emergency double indicators, the interpretation is taken to a completely new level – not even taught in the motor vehicles department.
    • Right indicator and slowing down to allow someone to overtake from right.
    • Double indicator to indicate moving ahead on the straight road.
  • Occupying the left most lane of the road at a signal and cutting across three other lanes to right.
  • Appreciating life of hawkers is best if you are within first four rows of a signal.
  • Appropriately dropping indicators for changing lanes will invite unwanted stares – quite an atypia here to do such things.
  • Indicating a turn early with your indicator might be misconstrued as an indicator forgotten to be turned off. So make sure you turn it on just 50m from where you want to turn so that all passerby vehicles can honk and hurl abuse and take last minute accident inviting evasive action.
  • The moment you see two people wanting to cross the road at a zebra crossing, it is ideal that you speed past and let them cross after you go. Suppose you read or heard somewhere it is right to stop and let them cross, you are asking for trouble as either you are going to get run over by another vehicle, or another vehicle will make sure to convey that you are the reason that they almost killed the pedestrians!

More tips next time around for safe four wheel driving 🙂



First movie after a 3 month break and what a WAY to start 2011. Listening to a random Good morning Kerala Interview couple of days back on Indiavision,  wherein one of the casts of the film was being interviewed, just left me a little curious on what this movie is all about.

This movie centres around a sequence of events, occurring at a Traffic Island in the heart of Ernakulam, over a span of 12 hours on a September 16. Raihan [Vineeth Srinivasan] has jus gotten into a new job as a journalist at IndiaVision and is about to do his first interview – of the Movie superstar Siddharth [Rahman].  Dr. Abel [Kunchako Boban] has just purchased a new Swift to surprise his wife Shwetha [Remya Nambeeshan] on their 1st wedding anniversary. Sudevan [Sreenivasan] is a clean police constable who recently got suspended for accepting a bribe and is finding ways to clear his name and reputation.

The chain of events kick off with Raihan’s interview with Siddharth being preponed, so he decides to hitch a ride with his friend Rajeev [Asif Ali] to get to the news station ASAP. All it took is a random speeding vehicle which whizzed past at a red signal to knock them off their bike and leaving Raihan fatally injured. His imminent death is interwoven with the chronic illness [heart disease] of Siddharth’s daughter whose life could be saved if an immediate heart transplant is done.

The movie thrives on the impossible mission of trying to get Raihan’s heart from Lakeshore hospital in Ernakulam to Ahalya hospital in Palakkad, a journey of 150 km, to be completed within 2hours! The background score has a more lasting impression merely due to the wonderful script where we eagerly wait to see the mission completed. The movie bluntly deals with the inadequacies of our roads and the bribery of our Indian system, how politicians and men in power misuse the Govt. services to their use and yet they are not willing to help out the common man.

On a parallel track runs 2 stories – Dr. Abel finding out about his wife cheating with his best friend and the anger and the anguish he feels when he finds out about the infidelity. Medical ethics are also prodded and probed a bit on where exactly do we define – Saving a life or Ending one.

It’s a brilliant work by the writers Bobby and Sanjay. A very realistic approach, makes you feel at home with Rajesh Pillai’s direction, so much so that when you leave the theatre, you will feel a little more responsible next time you hit the road.  Coincidence or not that his movie has released just after we Celebrated Road Safety Week.

The ensemble of cast in this movie is brilliant. Considering almost all spend an equal amount of screen time, its clearly evident how strong some of the actors are.  My most riveting moment was Raihan’s mom reflecting over his interview on her mobile and where she sits beside him in the ICU. So subtle with emotions and yet one could feel a mother’s love.

The future of Malayalam industry is bright, if and only if we grow out of the shadows of the “Superstars” where stories aren’t made to suit them rather actors tune themselves into a good script!

I will not go on and on with spoilers, cause this movie is worth every penny.


  • Asif Ali, Sai Kumar, Kunchako Boban and Anoop Menon are the strong performers in addition to Sreenivasan and Rahman.
  • Go and watch this movie. At a time when posters are often misleading [on a first look, it seems like a college goers movie]. It has got it all. A perfect mix of emotions and guaranteed you will find yourself applauding at some of the most electrifying moments in the 2 hours.